in demand repress for this great title ! ...great dont release featuring lots of acid and cover versions to boot! fresh re-rubs of blake baxters >sexuality< and joey beltrams >energy flash< dont recordings reaches the big 20th release and marks the occasion with a double headed ep that looks both backwards and forwards! neil landstrumm has always been a big influence on the sound of the label and here he steps up and delivers 2 monsters that while being completely his own, are also respectful cover versions of classic techno tracks that any techno head worth their salt will recognise. the originals are from 1988 and 1990 but these versions have been completely programmed from scratch using no samples. this is one for the connoisseurs! flip the 12 inch and what you get is two massive acid house party rippers from matt whitehead. matts been tearing up the london scene the last few years with his fresh take on the classic house and techno of the late 80s and when we at dont heard >to the beat< it was snapped up immediately! simply great, dramatic acid house music that is as catchy as it is timeless

** special cover and artwork for this unique project. limited serie**
rue de plaisances new compilation will surprise you by its eclectism and will carry you away in an ambient gateway where tribal sounds and funk converge in harmony. composed of nine tracks, produced by artists that are appreciated by the label and its owner varoslav, the release reflects the spirit of rue de plaisance and this new double ep tells a story and tries as much as possible to create new paths in electronic music.
after 4 years of activity, this 20th release is an attempt to diversify into new horizons of electronic music as well as exploring our existing sounds through talented artists such as oskar offermann, dop or the parisian 1977... what a shot !
called * le son de rue*, this double ep refers to the youth of varoslav but also to the street he lived in as a child: rue de plaisance. for the 20 release, rue de plaisance and varoslav release an ultimate compilation. a 4th birthday to celebrate in music!

next moe journey comes from kapucci! kicking drums broken rhythms warm and depp sounds on 180gr vinyl with self print cover.

2015 brought the trilogy of the dancer to ressort. now the labels core artists each remix their tracks in circles. while all of them aim for the dancefloor, ressorts core artists could not sound more diverse. ekserd and border one aim for the raw, the groovy and the pure while array access and glos lose themselves more and more in sound design and dreaminess. since the many aspects of art and music form a cycle of ying and yang, each artist shows the other an interpretation of what he might have missed before. be it a complete stomper or a light absorbing epos, a deep and groovy house and techno hybrid or a journey into the depths of space every artist made one of the well known tracks released on previous eps his own. it is a very colourful package that bares every moment the label tried to cover in it s series before.

ganze vier jahre nach *gemini* meldet sich jack tatum, der in brooklyn lebende kopf hinter wild nothing, mit einem neuen studioalbum zurück. für *life of pause* hatte tatum das große bedürfnis die genre-grenzen zu sprengen und sich klangtechnisch neu zu definieren. nach einer langen phase des schreibens und experimentierens nahm tatum das neue material schließlich in los angeles und stockholm auf - zusammen mit produzent thom monahan (devendra banhart, beachwood sparks). die neuen stücke platzieren wild nothing inmitten des popzirkus: euphorisch-mitreißende popmelodien treffen auf epische arrangements, und es ist mitunter unmöglich, sich für einen lieblingssong zu entscheiden, wenn diese platte so viele davon bietet.
die limitierte lp erscheint auf siberfarbenem vinyl im gatefold cover mitsamt download-karte.

special occasion are david c. gray and enchante. together they make music for the early lonely mornings between the sheets. on the b-side you find the tear drenched versions of maxxxbass of kwc 92.

strictly limited edition white vinyl
nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

pressing on blue coloured & marbled vinyl, housed and a silk-screen printed cover.

12inch vinyl, 250 hand numbered copies with individually hand stamped center labels, and front cover. the sixth release on otb records sees debutant lockyear explore new territory for the imprint/label.

reverence is the debut album by faithless, released in april 1996. the album contains several singles that have subsequently become faithless classics, such as *dont leave*, *salva mea*, and *insomnia*. the album reached #26 in the uk charts. this album is a collection of shadows, of mirror images, where songs mimic one another before spinning off to do their own thing. it is brilliant.
the 180 gram audiophile double vinyl is house din a cover with gold foiled front sleeve

wolfgang flür ist ein deutscher musiker und wurde als schlagzeuger bei der elektropopgruppe kraftwerk bekannt. die hier vorliegende compilation *eloquence - complete works* vereint alle songs, die flür seit 2002 veröffentlicht hat. darunter titel wie *i was a robot*, *cover girl*, *blues spark*, *beat perfecto*, u.v.a. inklusive sechs bonus tracks! ein absolutes muss für alle electronic-, elektropop- und kraftwerk-fans! jetzt erhältlich als limitiertes, durchsichtiges doppelvinyl inklusive mp3-download-code! 

hitting you like the soundtrack to some wonderful film you will never see, the depth and emotion of the sound of farbror resande mac will take your breathe away. they have crafted a wonderful ep for back to the balearics, which offers the listener a refreshing break from the norms of electronic music making. across the 5 tracks they cover a variety of moods and themes with great technical skill and top class production values, while creating musical patterns that conjure up images of star studded scandinavian skies, balearic sunsets and the buzz of great cities at night. so why not step off the musical beaten track with farbror resande mac on back to the balearics? you wont regret taking the wander.

dont touch my sister is romain azzaros rouge mécanique début album. cinematic hazy instrumentals and a heady mix of post-punk, italo disco, ambient and noise shine through azzaros dedication to his signature telecaster slide-guitar, bringing acoustic life to electronica. citing the visual realm as a strong influence on his music, rouge mécaniques releases are often accompanied by short films and hand picked design. the prelude video for dont touch my sister was born of a collaboration between romain azzaro and the film maker louis vignat, as inspired by the cover artwork of les beaux arts de paris artist jeanne briand.

the vfmm is back with a cracking new 12- by one of the label s dearest producers. the underground wolfpack proudly presents again one of its leading wolves, kai von glasow and his newest output: a mesmerizing and bedazzling 4-tracker piece of vinyl replete with neatly arranged techno soundscapes that bring about a feeling of satisfying gloom. and yet, whilst listening to these soundscapes, the compelling and driving force of the entire musical arrangement of each track sets free an unremitting urge to dance the night away. this piece of vinyl is designed to take full control of the dance-floor by pouring out its stomping and fierce percussions. be it as it may - you ought to listen yourself! this record comes as a white 12- and is fitted with hand-numbered out-of-250 labels as well as a beautifully printed cover-sleeve. you had better buy one copy as this 12- will be sold out sharpish. the vfmm recommends the underground movement

ein sonnenjahr beinhaltet 12 mondzyklen. der tag und die nacht haben jeweils 12 stunden. im fußball weiß man um die stärke des 12. mannes und seit der gebietsreform hat berlin exakt 12 bezirke. mit dieser ausgabe der about:berlin gehen wir nach kreuzberg-friedrichshain. genau genommen geht es direkt an das kottbusser tor. unser cover-motiv blickt vom obersten stock des plattenbaus am kotti fast schon sehnsüchtig richtung mitte.
das limitierte 4-fach vinyl erscheint im klappcover, downloadcode inklusive.

the drowning shadows edition of sam smiths huge success debut album in *the lonely hour* includes a bonus disc with new tracks, alternate and cover versions. comes in gatefold sleeve.

herva is the artist name of hervè atsè corti. he lives in relative seclusion from the dance music world in the italian countryside around florence and is one of the most intriguing producers to work in house and techno for a while. his early musical life as a drummer, plus his extra-musical interests in engineering and electronics has informed a unique, freeform, and very tactile approach to dance music. its house and techno that doesnt adhere to the usual influences of detroit, chicago or berlin.

meeting up in australia after time spent in europe and north america, old friends and collaborators angus gruzman (dreems) and jono ma (jagwar ma) teamed up in sydney and celebrated their personal climate change with a cover of the moffs 80s cult classic. equal parts of each artist shimmer in this visceral version of *another day in the sun*. a love letter to the end of the summer, also featuring the vocals of gabriel winterfield (jagwar ma), the song takes sonic cues from their surroundings on the australian east coast.

innocent music presents their 6 vinyl only release! we welcome piratenkind, she delivered us 2 original productions and release is supported with aney f. & sonartek remixes! we printed 500 copies with printed cover and colourful vinyl! follow our innocence!

norwegian producer stian gjevik returns with his third full length album as cn with the derelict. the sequel to his 2011 concept album the expedition beyond (wil-ru records), the derelict unravels a new chapter in the story of a space traveller wandering the galaxy in his starship only to crash-land on a foreign planet and encounter new lifeforms. the shuffle of crisp airy high hats and punchy robotic rhythms lay down the framework for cn s signature cosmic sound. beautiful hardware based electronic sounds paint a colorful soundscape with blissful arpeggios and soothing washed out synth pads over groovy moving bass-lines, creating lush atmospheric listen that is as chill as it is suitable for the dance foor. ten new tracks of highly melodic motivating braindance music to get utterly lost in... this limited edition lp features cover art by adam burke and design by eric adrian lee. limited to 500 copies from weme and wil-ru records.

b-quality = cheap price (7.99 eur) because artwork cover defekt (broken on the border)

with a career stretching back to 1998, via releases on dance mania, juke trax, blank mind, and planet mu, everyone should know dj clent by now. crosstalk actually unleashed his first internationally distributed tracks via dj slugo’s subterranean playhouse label, and we are excited to have acquired the rights to distribute all the beatdown house releases, worldwide. dj roc aka the crack capone is another artist who’s first international releases were disseminated via our digital program, we also distributed various juke city mix cds. his break came via his album on planet mu, and has also had a recent ep via duck n’ cover. dj t-rell & c-bit are relatively unknown, internationally, but have been active on the chicago scene for at least a decade. you’ll find their tracks on local mix cds by slugo, deeon, and clent, among others.

following up the fantastic summer re-release of upsetting keys “empathy” ep, path records follows with its first new catalogue number since 2006. path 008 marks the return of artist fate 258, whose 1999 “why 2k” path 001 ep has been a hotly sought after item on discogs. the three-track ep contains two exciting new mixes of cult classic techno track “the path”. the a-side version “path to hell” is the harder of the pair, a dark edgy journey into the unknown with shuffling 808 rhythms providing much of the melody. “path to heaven” slows the groove down and adds warm juno pads throughout the mix for a very deep detroit flavored techno style. on the final track “heaven or hell” sort of a broken beat downtempo piece, sparse vocals and bladerunner samples mix to complete the dystopian concept. these mixes of “the path” are considered pre-mixes, as they were completed in 1998 before the original release of path 001. fate 258 is a project from brooklyn producer reade truth, known for his work over the last decades on labels such as planet e, sonic groove, n-syde, wurst and strictly rhythm to name a few. limited to 250 worldwide, with the first 100 including full black and white cover art.

the new moe004r is ready for black wax. a four track journey into oldschool flavoured house made by paul bhn & robert pedrini with a remix fresh out of rue de plaisance head varoslav. as usuall with a self printed cover, 180g vinyl only.

current wire magazine front cover artist hieroglyphic being’s debut album for soul jazz - the acid documents - is an album made up of tracks first released last year only ever available in a bespoke edition of 100 copies (yes 100) – in the form of a homemade cd-r – made exclusively for the sounds of the universe record store. this album is now released officially as a one-off edition of 1000 copies on transparent red double vinyl (download code included), fully remastered with artwork by japanese artist 2yang. pressing on translucent neon ornage double vinyl with download code included.

craig peyton was a mainstay in nyc jazz and dance music beginning in the 70s. from playing on dan hartmans -vertigo/relight my fire- to his work on boogie funk productions with daryl payne, he is one of the unsung heroes of the era where disco transitioned into house music. his drum machine and synth based cover of william devaughans -just be thankful- came out on profile records in 1983, a daring move for a white man trained on the vibes. he gives the jam a haunting and funky rework that has only escalated in popularity over the years. it has been bootlegged extensively while original copies remain quite elusive.

three tracker of primers. top tune mixmag germany. on my own - a heaving banger with filled with gloomy stabs and strobe-filled crescendos, slapped with heavyweight claps in all the right places. cut and thrust - frenetic synths spin in a shower of sparks around razor sharp hi-hat barrages. duck and cover! relax - a deeper, organic feeling permeates this lights-out groove filled with wooden hits, simmering shakers, and warm synth washes.

with b&w printed sleeve - housed in cover art from p.a.m.s misha hollenbach. studio styrka springs a leak with three new tracks from villa abo, the mainstay of veteran swedish analogue unit frak. released by australian label noise in my head, sibilant is the product of a mutual appreciation for severed heads and terse tapes, both of which propelled a 13 year old jan svensson to form frak back in 1987. on warming up signal, svensson sounds the nuclear alarm with an unforgiving techno meltdown that leaves no survivors. the flip gives our disintegrated minds some relief with drum-magnet, a paranoid beat track recorded in collaboration with karlskrona punk rocker nebula, and the hypnotic syndrome beautiful.

as benedikt rugar s superbly illustrated cover art for the recent cocktail d amore compilation nothing matters when we re dancing proved, the berlin collective proudly celebrate their status as a forum for berlin s gay community to fully express themselves. with no releases on the label since that compilation arrived in january, discodromo and dj boris have now unveiled a sister operation with a focus on edits under the wonderful name cockring d amore. the debut release features contributions from label regular massimiliano pagliara, the unheralded trent and founders discodromo.

the 1983s certify album re-issued as heavyweight 180 gram vinyl in its original cover, remastered and with linernotes! re-launch of the classic uk reggae label burning sounds.

the album from 1977 re-issued in a heavy weight 180gram vinyl edition in its original cover. the split lp *clash* is a classic in the deejay genre and features two of the most prominent artists of late 70ies reggae, dillinger (born lester bullock) and trinity (born wade barmmer). re-launch of the classic uk reggae label burning sounds.

re-issue of the album from 1979 in its original cover as a heavy weight 180gram edition, re-mastered and with extensive liner notes! produced, composed and arranged by pablo gad, recorded with the backing band zion steppers from the uk, the artwork was created by wayne massop. a release in the re-launch series of the classic uk reggae label burning sounds. (this album was also released with an alternative title of *blood suckers*.)

pressure traxx presents silver series - its new vinyl-only sub-label with the first release lined up for april 2014. on the first release, ptxs 001, you will meet the young talented duo vinyl speed adjust. hailing from bucharest, romania, eddy and levii deliver *groovin n moovin*, a three tracks ep that excellently shapes the sound that brought their homeland the well deserved attention, yet breaking the pattern. 2015 repress

red laser conductor general il bosco once again turns his beam on 8 tracks of mind melding italo. providing a another superb double vinyl release of tracks that have been inspirational to red laser records and the labels releases. this isn t by any means your run of the mill italo selection. il bosco knowingly selects a set that shows the true girth of style and fashion in the genre. face grillers are ramped up next to sleazy pop sensibilities. goth-synth disco frottages with 8-bit machine gun bass lines. chugger masterpieces salivate on crystalline new romantics. as the compiler says truth is, loads of italo is shite but when its good it s up there with the best electronic disco music you will ever hear check this album and you ll agree. for maximum disco potential several red laser protagonists have suitably revamped and edited some of the selections with kid machine & il bosco uniting in the cut, flemming dalum sprinkling his magic dust over a bonafide classic & parisian romain bezzina repairing an old banger. as always red laser pay close attention to detail with all tracks carefully restored & remastered whilst the vinyl comes in full colour heavy card inners with two riso print poster sleeves & a gatefold pvc cover. limited to 500 & no repress !

als ein großer grauzone- und stephan eicher-fan war robi insinna extrem geehrt, als er vor einigen jahren gefragt wurde, ob er ein remix von stephan eicher machen wolle. die idee zu der reworks 12 inch auf relish kam erst einige jahre später und seine wahl fiel auf *nice*. dieses wird auch teil des reworks albums sein, welches nächstes jahr erscheint. headman hat dann noch new york citys justin strauß in das projekt einbezogen, welcher *eisbär* schon bei seinem ersten dj job im legendären mudd club spielte. mit seinem partner bryan mette als (whatever/whatever) gab er *les filles du limmatquai* seinen touch. das cover ist eine hommage an das original artwork von der *nice* 12 inch us mixes vinyl von 83, welches von klaudia schifferle stammt. sie war mitglied der schweizer punk-band kleenex, welche das original von *nice* einige jahre zuvor geschrieben und performed hatten.

next record from old dirty dessau comes from laubenpiepers labelhead oliver bernstein himself. its a fivetracker with a dope remix from our friend siggatunez and an extra slow collaboration with our man kabovsky on the flipside. for shure the record is more the sunrise stuff but will work in dark clubs as well. comes on 180g vinyl in limited edition of 300 copies with handprinted cover by duktus.

new x-masters! after the massive nicholas/morning factory release its finn gold with the 2nd x-masters. finn gold resisted his routines and started working on some other music... opening track is a briliant cover version of the classic atmosphere. pretty bold to cover such a classic, but finn gold nailed it! flip side gives 2 other excellent 90s inspired tracks for the body and soul. pretty amazing release!! recommended.

the 3rd mode of expression release includes fresh cut s from kashawar & paul walter. two original tracks and a collab work together, a selection of perfekt tunes for the late summer moments. as usuall selfprinted cover and 180gr vinyl.

hedonism is an ethical theory that pleasure, in a sense of satisfaction of desires, is the highest good and proper aim of human life, and this seems to also be hdnsm’s ultimate musical objective. their first release debuted as a kickstarter of “variant ep” v.a. series, showcasing three very different yet highly contemplative creations from cumsecade, anestie gomez and man spider. hdnsm flips the coin and for the second episode of “variant” series it lands on two very solid, incredibly moody and extensive works from fresh talents shcaa and cleymoore. the ep features two very different tracks yet they share the same minimalistic core. both works are blessed with intricate micro-drum arrangements for those feeling groove hungry whilst still standing tall in the experimental abstract realm pleasing those who crave unusual frequencies. a-side’s “masquée” is one of shcaa’s typical rides between sound and silence and it is hard to find another artist who understands sound gaps between grooves better than shcaa does. with his signature vocals and an incredibly delicious duality between acoustic instrumentalism and electronic slamming, this is a groovy, highly deep, very intelligently arranged piece. the flip-side “nebula”, signed by pluie/noir’s boss cleymoore, is a tip of an iceberg when it comes to the art of stripping down. in an apparently thin canvas of minimal drum arrangements there’s a vast amount of sound frequencies underneath a steady ever-kicking groove, tricking your mind into thinking that you’re hearing less than you actually perceive. nebula is hypnotic and dense but focused and sophisticatedly groovy. like the repetitive vocals you’ll hear throughout the b-side, this v.a. sticks to your mind like an addiction of some sort and pushes hdnsm to a new standard of avant-garde and forward-thinking attitude. as before, this vinyl only release comes in a gorgeous cover featuring a painting from max binski and the number of copies available is limited

with its eighth release, leipzig-based holger records introduces yet another new artist: vai has been active in the scene for a few years already, with various production teams and aliases. his new project is heading for a different path though: son of idaia is his most intimate work to date, a highly personal record. the elements in use are almost fragile, winding around each other and hard to grasp. so is the music: in between ambient, electronica and ghostly techno it seems removed from its club origins and yet still reverberating these roots. a deep trip down the rabbit hole, dubby, immersive and glowing in all its calm beauty. holger 8 introduces a new line of cover artworks, courtesy of lukas mehling.

limited edition white vinyl double album in deluxe foil print cover with download code included. mastered by matt colton at alchemy.

ultralimited (100 copies) 7 inch of this cult classic - with handfolded original cover art - beautifully made and manually crafted. vinyl is the same as with unlimited regular version. including 2 important previously vinyl unreleased bonus track.

arma continues to translate the clubs unparalleled experience into vinyl format. 10th release from the label features benjamin brunns track *gamma delta epsilon* followed with two remixes by steve summers and alex danilov. in the original version brunn merges techno and futuristic house patterns into beautiful grotesque rhythm construction. both retakes show authors at their best: alex danilov creates a deep cosmic mood slowing down the tempo and adding dreamlike poetic chords, steve summers boils track down to laconic strong-beat narrative. the record comes in cover that features original painting by pavlik kuznetsov.

180 gram. vinyl only. gatefold cover. inside-out cut. finally the 3rd pr arrived. happy to introduce you my friend io and his first ep on my label which fits so good to be released in summer time.

1 - kinda >hip<-house style,
2 - groovy dance floor stuff,
3 - my favorite minimal broken beat,
4 - easy going >hop<-house recording.

enjoy your summer as we do!
-nastia-

nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

limited! full cover 180 gr. vinyl.
this record is the most important promo tool of leipzigs own m.ono in his grand scheme to conquer the world with his supersecret cocktail named, die volle schnauze. all flavours and 17 secret ingredients of this wonderful drink come together in the 4 tracks of this ep. so if youre digging the forward groove and jumping keys of volle schnauze, the shit-is-the-sun-already-coming-up? vibe of perle, the dancing arps of delaware state route and the freaked out acid of pegasus 83, youll surely like the cocktail. whatevers the hells in it. sincerely yours, lars & maarten vital sales points: - m.ono got instant underground love for his first artist ep on his own rose records when move d. destroyed the boiler room playing * holding back california*. - m.ono produces some amazing tunes together with label co-owner luvless. - full cover with 180 gr. vinyl.

double 12 inch vinyl + download code & art print.

ekster is thrilled to present eks006, be me, by belgian electronic composer ssaliva. this 13-track album pressed on black 12 inch 180 grams vinyl will be released in an edition of 300 with printed inner sleeves & silk-screened transparent over-sleeves. download cards included. mastered by frederic alstadt at angstrom mastering. cover photo by françois boulanger & graphics by victor robyn.